On this day in 1951 Daisy May Bates- the Tipperary woman who spent decades among the Aborigines of Australia- died, aged 91.
Bates was born in Roscrea on 21 October 1859. She was orphaned at a young age when her mother died of tuberculosis and her father died while emigrating to the US, Daisy (named Margaret Dwyer from birth) was raised by relatives.
By 1882, Margaret had changed her name to Daisy May and had left Ireland for Australia. Daisy May, like many emigrants, took advantage of the potential for reinvention offered by a change of scene.
Arriving in Queensland, Daisy took up a job as a governess and in 1884, married Edwin Henry Murrant. The union lasted less than a year, and was unknown until 1978.
In 1885, Daisy married again, without divorcing Murrant, this time to a John Bates, a livestock drover in New South Wales. The union produced a son, Arnold Thomas Bates. John's work took him from home for long periods of time, which may have allowed Daisy the opportunity to also marry an Ernest C Baglehole, one of her shipmates on her journey to Australia, and an apprentice ship's officer, in Sydney in 1885.
In 1894, she placed her son in a boarding school and made her way to London, where she worked as a journalist for five years. Returning to Western Australia in 1899, she planned to research claims made in the press about the brutal treatment of the Aborigine people. This would be the beginning of her singular relationship with Australia's native peoples, which would span the next 40 years.
Bates set up camp in small settlements around Nullarbor Plain and Oodlea, and began the process of recording the customs of the Aborigine people, writing some 270 articles about them during her time in their midst. She did not act as a missionary or humanitarian worker, but offered aid and medical treatment to the local populace, funded by her income from property she owned.
She was regarded with affection, and came to be known as kabbarli, or grandmother. She compiled dictionaries of regional dialects, mythology and legends, and was said to have been unafraid to confront local policemen with her pistols if they were mistreating the native people.
In 1904 and 1910, Bates was appointed by the Australian government to research Aboriginal customs and marriage practices. Her work with other anthropologists in the field cemented her antipathy towards official government policies on Aboriginal people, and her witnessing of the dire conditions in which they lived influenced her burgeoning sense that the Aboriginal people were doomed to extinction. Rivalry with fellow anthropologist A.R. Brown on the 1910 trip, paired with a hardening of the attitude of the Australian government, led to a termination of her employment in 1912.
None of this prevented her work and she remained stationed among the Aborigines, recording their lives, language and customs, dressed in an increasingly eccentric Edwardian fashion in the midst of the Australian outback. Bates achieved iconic status during her lifetime, and after her death was the subject of numerous biographies and inspired an opera, ‘The young Kabbarli’, by Lady Casey with music by Margaret Sutherland.
Her legacy is not without controversy. Alongside her recording of Aboriginal culture, she published damaging and untrue reports of cannibalism in her 1938 work 'The Passing of the Aborigines'. Her reputation remains problematic; her distortions of her personal life have cast doubt on her anthropological writings, which were already viewed by Aborigine scholars as patronising.
Despite these controversies, Daisy Bates’ story continues to capture the imagination. Like many emigrants, she grasped opportunities for reinvention with both hands and carved out a niche for herself, claiming her place in Australian folk history. Most of her voluminous writings are now in the National Library of Australia at Canberra.
Sources:
https://www.irishtimes.com/.../daisy-bates-the-edwardian…
https://adb.anu.edu.au/biography/bates-daisy-may-83
https://www.dib.ie/biography/bates-daisy-may-a0489
Lady Edith Blake, botanical artist, travel writer and polyglot from Clonmel died on this day in 1925.
She was born in 1845 at Newtown Anner, eldest daughter of the heiress Catherine Isabella Osborne and liberal MP Ralph Bernal Osborne. After her parents became estranged, Edith and her sister Grace were raised primarily by their mother, herself a talented artist. Catherine imparted a love of the arts to her daughters, and their home frequently played host to visiting artists and painters, most notably the Swiss landscape artist Alexandre Calame, and the English watercolourist Thomas Shotter Boys. This passion for the arts would remain with both sisters throughout their lives.
In 1872, she visited Austria, Germany, Sicily, Greece and Turkey, making a study of the local architecture, art and culture. Having sketched and recorded much of what she saw, she had the material for her first book, ‘Twelve Months in Southern Europe’ (1876), which included four of her own illustrations.
She married Henry Blake, a widower and RIC sub-inspector against the wishes of her family in 1874 after which, she was disinherited. As a result of his work as a Resident Magistrate (RM) during the Land War, Blake became a hated figure and subject of numerous assassinations attempts so the British administration felt it would be better to move him to an overseas post in 1884. Despite her husbands work and his unionist affiliations, Edith always remained sympathetic to the more romantic strands of Nationalism and struck up a friendship with Anna Parnell, founder of the Ladies’ Land League.
Over the next two decades, the couple were based in the Bahamas, Newfoundland, Jamaica, Hong Kong and Ceylon. Rather than entertain the local English expatriate community, Edith concentrated on her interests in botany and painting. Her painting specialised in botanical scenes, particularly butterflies, plants and landscapes. She was a technically gifted artist with the ability to capture minute detail.
Her work was so highly thought of it was displayed in a special exhibition at the Museum of Science and Art in Dublin in 1894. Later she would bequeath her collection of 196 watercolours to the British Museum, now held by the Natural History Museum in London. Some of her work is also in the collection of the Botanic Gardens in Dublin while her collection of over a hundred Native American artefacts from the Bahamas is now in the National Museum of the American Indian in New York.
Blake was also a gifted linguist and could speak nine languages including Irish, Russian and Mandarin. A clear and concise writer, she published two books and three plays. The plays, ’Samhain’s eve’, ‘The Quest of Edain’, and ‘The Swan’ were adapted from Irish mythology, with a view to reviving interest in ancient Irish literature. She was also a frequent contributor to many leading journals including The Nineteenth Century magazine, the Illustrated London News and The North American Review. She wrote on a wide array of topics based on her experiences abroad, including a history of the Maroons of Jamaica, the restoration of the Ming Dynasty, the position of women in China and life and death in Ireland.
When her husband retired in 1907, the Blakes returned to Ireland and settled at Myrtle Grove in Youghal, where many of her sketchbooks are now located. Its staircase is decorated with her botanical illustrations. She died on 18 April 1926 and is buried at Myrtle Grove.
Sources:
https://www.irishtimes.com/life-and-style/abroad/lady-edith-blake-irish-polyglot-botanical-artist-and-travel-writer-1.3617078
https://www.dib.ie/biography/blake-edith-a0708
